Bassist Orlando le Fleming on how to get a sound on the bass, why he puts "rhythm before notes," what were the advantages to starting his career in England, when it's to leave New York, who were his mentors, the "jazz struggle" and why "groove comes from culture." Plus, he discusses his experiences working with David Sanchez, Antonio Sanchez, Jane Monheit, Ari Hoenig, Jeff "Tain" Watts, Lage Lund, Will Vinson, OWL Trio, Branford Marsalis and much more... [ read more ]
from All About Jazz Feature Articles https://ift.tt/2ZS9X9n
via IFTTT
