The music speaks for itself. This timeworn axiom has often served as a suggestion that there's an intangible aspect to music's universal language that is somehow beyond mere words. In some cases this may be true, but on the other hand, this outlook has occasionally in the past served as a viable excuse for justifying music of a somewhat dubious nature.In recently talking with saxophonist Seamus Blake by phone from Vancouver, it occurred to me that his "less is more" approach to discussing the present album had nothing to do with being elusive, but more with the confidence he has for his original music to speak on its own terms... [ read more ]
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